I never expected that this drama would be so earnest and moving.
I, who have always found it difficult to express emotions, have actually started to think that if a drama can make people burst into tears repeatedly, then it might be good, because that is a sign of the soul being touched.
While this drama does have some contradictions in terms of prop arrangement, costume design, editing, and proofreading, the issues were not significant. With a clear exploration of its intended meaning, the flaws are not enough to hide its merits.
It gives me a feeling very close to Japanese dramas, I mean the way of storytelling: covered in a layer of romanticism, full of passion, turning danger into safety; coincidentally, I am always drawn to this kind of gentle warmth, even if it is somewhat exaggerated, I am willing to believe in and sing praises of the various aspects of love together.
It can be said that this is a deep confession to the field of dubbing as a whole work. Focusing entirely on this core, it narrates the process of talent development and the challenges and values encountered, not only through dramatic reenactment but also with "Easter eggs" of actual interviews with industry professionals, the intention to promote is vivid, which is worthy of admiration. My own interests do not touch on this area, but the actions and emotions of giving one's all for what one loves, are they not relatable?
It is not just about interests and expertise. With a specific theme as the framework, every stroke drawn within it, is it not still the trace dragged out after soaking in the ink of various life experiences? Its title is well set, tightly linking the "dubbing" and "life" it wants to highlight, making its inner and outer meanings emerge together. It wants to talk about sound, but what it really talks about, or what is truly contained in sound, is unique to memory, that is, emotions—sound has meaning in expressing emotions.
Therefore, it chooses to handle the relationship between sound and memory in a straightforward manner that may feel sentimental, but I think it is just right.
It can be said that life is just like this. Those laughter, anger, sorrow, and cries, can't we all hear our own voices in them?
I was particularly touched by a passage: "In this world, the most hurtful thing is nothing but the four words 'powerless'. Powerless, helpless, it is truly a sad thing. And in this world, many times we are indeed powerless. Wanting to do something, but unable to, yet unwilling to accept it, that is the most tormenting."
Just from the introduction, this is a drama that I would rarely watch on my own initiative, purely because I think Zhenming is quite good and wanted to see his works—I think this is the true meaning of an encounter. Due to some coincidence, a chance encounter, recognizing the beauty.
The voice of the battlefield has become a memory deeply rooted in my heart, all stemming from an accidental collision.
But fate is always something that can be encountered but not sought after, the voice that is dedicated to promoting, if fate does not allow, it is also difficult to hear.
So it must be cherished. Precisely because life is helpless.