I quite like this story, from beginning to end.
I think the most interesting aspect of this work is that it is both intense romanticism and profound realism, complementing each other without giving in, thus intertwining and entangling until tightly bound together, becoming an unprecedented community. Just like various biological images converging, giving rise to dragons. Born in fantasy, yet nowhere unreal. If not recognized as mythical creatures, perhaps it would be easier to be called monsters.
It is obvious that there is a cross-domain hybridization of form and content, suspense and inspiration, history and campus life, with a backdrop of vitality, but coated with a gloss that is not ordinary, as if walking soberly in a dream, even if the world collapses, the body remains unharmed, and still pondering: what causes the world to collapse?
Such a dreamlike allegory intensifies in the second half, becoming more and more cult-like in appearance, but also vividly highlighting the moral lessons that reflect real life. The meaning of the title finally becomes traceable - how should one deal with an indestructible mass?
As a result, the content itself is constantly debated, with softness and strength each holding their ground, both sharp-tongued and unable to devour each other, but rather resembling a mirror, where the two ends of the mirror are not only opposite, but also completely equivalent.
I think this point is the most true and concrete depiction of the predicament of life in the world, as if falling into the sea, struggling for breath, and unwilling to accept futile efforts, therefore, making every effort to hold onto driftwood, but not knowing if there is any driftwood at all.
"Raida Asahi's Equation - The Most Dangerous Lesson" helps to perfect this expression. Instead of saying it is a subplot or an epilogue, it is better to say it is an essential annotation, a self-interpretation, and a self-dissection, wanting to identify whether the wood that supports the body is truly worthy of clinging to. Even without reading the footnotes, it does not affect the structure of the main argument, but because there is a reflection in the mirror, the figure can be seen more clearly.
Therefore, such struggles are endless, or rather, necessary.
I also want to present a set of equations as a tribute, like a plaque, even though it is impossible to write it well.
(Love + Hate) × (Forgiveness + Anger) ÷ Brain = Fate
I like this story, saying that life's anomalies are normal.