When there are many strong emotions that cannot be expressed, it is really difficult.
I am thinking that human language is too limited and emotions are too complex. Concrete things are too simple and fixed, so silence is better than sound. How can it be used to depict him in the heavenly realm?
This picture is more complete than "Prayer for Peace" and is more like a movie full of narrative meaning. The MC that was not included in the previous release is also presented this time, directly shooting him through the corridor back to the place where he originally rested. The subtle atmosphere gives me a strange stimulation, but I cannot clearly know what it is.
I only know that I am stirred but cannot grasp the reason.
Perhaps I can only say that a certain soul is summoned and deeply resonates.
Or, it is like a mirror of thoughts, my soul wants to see what kind of reflection, and sees what kind of reflection, so obsessed that I want to bury my whole body in the water and get close to myself.
Just like, I see [síː] will panic, but that is my panic, not his.
I like the feeling of having only him in the whole world.
I like being alone, quietly wrapped in a perfect little universe.
I like the feeling that time and space seem to stop and flow slowly like a painting or glass that seems to solidify.
In "Heartbeat," he and the ruins of Heijo Palace, here he and the quiet little room, the frozen street, the clear stream, and the distant green mountains.
His masked dance is both divine and holy, ethereal and only for distant viewing.
Just like the ancient rituals that communicate with the gods.
Although elegant and graceful, it is also solemn and dignified, self-contained and unable to accommodate others.
This is a live performance for the audience, but also an offering to the gods, and more importantly, it belongs to him.
He is the only one.
Not only unique and unparalleled, but also the only subject in the world.
I really hope that this can also be released as a movie, not only because the development in it is stronger.
He hangs the word "fate" everywhere in his performance art, and in "Hitotsu," he repeatedly ponders. His thoughts are conveyed in a more explicit way.
It is not about absorbing or accepting his ideas, but finding my own answers and directions through his guidance.
My mother said that it is fortunate to witness the face of Buddha and listen to the teachings in this world. I always think that the Buddha is still in the world, and He will fulfill His vow to come again.